: The film and series are available on platforms like Voyo in certain regions.
The phrase refers to the 2011 documentary "Toma" (often colloquially called the "home movie" or simply the film about Toma), directed by Dragan Bjelogrlić. But to call it a "film" is almost too clean a word. For the people of the Balkans, it is a memorial, a reckoning, and a celebration, all wrapped in the haze of cigarette smoke and the clink of brandy glasses.
To understand the film "Toma," one must first understand the man. Tomislav "Toma" Zdravković was born on November 20, 1938, in Aleksinac, and he spent his childhood in Pečenjevce, a village near Leskovac in southern Serbia. Born into a life of poverty, Zdravković discovered his musical talent early. Legend has it that his father, Dušan, played the violin, passing down a gift that would define an entire generation. After finishing elementary school, Toma worked odd jobs before finding his true calling. Domaci Film Toma Zdravkovic Ceo Film
Muzika u filmu "Toma" predstavlja zaseban lik. Kompozitor Željko Joksimović je, zajedno sa saradnicima, uradio ogroman posao rekonstruišući stare Tomine hitove, ali i stvarajući potpuno nove pesme koje zvuče kao da su napisane u zlatno doba jugoslovenske šansone i narodne muzike.
Domaci Film Toma Zdravkovic Ceo Film: A Deep Dive into the Soul of a Legend : The film and series are available on
Film i proširena televizijska serija "Toma" (koja donosi još više detalja iz života pevača) dostupni su na regionalnim video-klub platformama u okviru kablovskih operatera (kao što su Iris TV, EON i Apollon).
, who helps launch his career and remains a significant, though unconsummated, love throughout his life. Key Themes and Moments Bohemian Soul: For the people of the Balkans, it is
, showing Toma’s humble beginnings and his first break in a
The film utilizes an "impressionistic portrait" style, weaving between two distinct timelines to tell a story that is as much about a man as it is about the "soul".
The supporting cast is equally formidable. Jelena Đokić delivers a powerful performance as Gordana, Toma's long-suffering yet strong wife, while Tarik Filipović stands out in the role of Toma’s loyal but weary manager. The atmosphere is thick with nostalgia, perfectly recreating the aesthetic of 1970s and 80s Yugoslavia, from the fashion to the dimly lit stages of the music halls.