Never Say Never Again -james Bond 007- Info
James Bond is called out of a forced sabbatical to locate the nuclear weapons before they are used for blackmail.
By the late 1970s, McClory’s ten-year restriction had expired. He immediately began planning a rival James Bond film. He initially titled it Warhead , collaborating with mystery writer Len Deighton and none other than Sean Connery, who was eager to stick it to his former employers at Eon, with whom he had a notoriously fractious relationship regarding pay and privacy.
The film features a star-studded cast, many of whom gave performances considered more "grounded" than the EON films of the era. Never Say Never Again (1983) - Full cast & crew - IMDb
Following his departure from the role after You Only Live Twice (1967)—later returning briefly for Diamonds Are Forever (1971)—Sean Connery had famously stated he would never return to the role. According to urban legend, it was his wife, Micheline Roquebrune, who suggested he "never say never again" regarding a return to the role, giving the film its title. Never Say Never Again -James Bond 007-
Edward Fox as a stuffy, anti-00 administrator who despises Bond.
Later, as the Mediterranean returned to its sapphire stillness, Bond sat on the beach of a secluded cove. The warheads were safe, Largo was a memory, and the "retired" life beckoned once more.
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Director Irvin Kershner, fresh off the massive success of The Empire Strikes Back (1980), was hired to helm the project. Kershner focused heavily on character dynamics and tension rather than the over-the-top stunts that characterized the Eon franchise at the time.
"Largo thinks he can play God with a remote control," Bond said, his voice dropping to a cool, lethal edge. "He forgot that even gods have a weakness." "And what is his?"
Ian Fleming, the creator of James Bond, wanted to bring his secret agent to the big screen. He teamed up with independent producer Kevin McClory and writer Jack Whittingham to develop a script for a potential Bond movie titled Longitude 78 West . The project fell through due to financial constraints, and a frustrated Fleming did what he always did: he retreated to his Goldeneye estate in Jamaica and turned the unused ideas into his next novel, Thunderball (1961). He initially titled it Warhead , collaborating with
Then there is Fatima Blush. If Largo is the id, Fatima is the superego of pure chaos. Carrera’s performance is a masterpiece of manic energy. She is a SPECTRE assassin who revels in cruelty with a gleeful, sexual ferocity. Her death scene—being fed to a shark after Bond tricks her with a fake “shark repellant” pen—is the film’s most sadistic and satisfying moment. She is not just a henchwoman; she is the dark, erotic shadow of Bond’s own libido.
The existence of Never Say Never Again is rooted not in creative ambition, but in a decades-long legal battle over one of the most famous Bond stories: Thunderball . The origins date back to the late 1950s when Bond creator Ian Fleming began developing a potential Bond film with Irish producer Kevin McClory and screenwriter Jack Whittingham. Together, they developed ideas that would become key elements of Bond lore, including the global terrorist organization SPECTRE and its arch-fiend leader, Ernst Stavro Blofeld.
To understand the film, you must understand the war. In the 1960s, producer Kevin McClory won a legal battle over the story rights to Thunderball , co-created with Ian Fleming. The settlement gave McClory the right to remake the film after a certain number of years. By the early 1980s, Connery—who had famously grown to despise the role that imprisoned him in a tuxedo, complaining of the “bloody awful” schedules and intrusive fans—was lured back by a massive salary (reported at $3 million plus a percentage) and the irresistible irony of the title. His wife, Micheline Roquebrune, had famously told him after Diamonds Are Forever , “Never say never again.” The gauntlet was thrown.
Sean Connery had famously abandoned the tuxedo after 1967’s You Only Live Twice , returning only for a highly compensated, one-off appearance in 1971’s Diamonds Are Forever . He had sworn he would "never" play James Bond again—a declaration that gave the 1983 film its witty title, reportedly suggested by Connery’s wife, Micheline Roquebrune.