Rbass Vst [2021] Direct
: Controls the amount of harmonics added to the signal. Use this to "thicken" the sound.
(It loses one point only for the Waves licensing model, not the sound).
: A high-end, multi-band sub-harmonic generator designed for perfectly clean low-frequency phase alignment. Share public link
Place RBass as an insert on your bass guitar, 808, or kick drum channel. It is generally recommended to place it after your corrective EQ (cleaning up unwanted rumble) but before your final compressor. Step 2: Set Your Target Frequency rbass vst
Instead of putting RBass directly on your main bass track, create an auxiliary send/return track. Put RBass on the aux track, set the button to "Out" (so it only outputs harmonics), and heavy-compress it. Gently blend this auxiliary track under your clean, original bass track for ultimate control and grit. 2. Revitalizing Sampled Kicks
Because RBass adds harmonics above the sub region, you can use it to make your bass audible without triggering a sidechain compressor on your master as aggressively.
RBass is a . Instead of just boosting the low-end EQ (which would eat up your headroom and potentially muddy the mix), RBass generates a precise set of harmonics that relate to the fundamental frequency of your bass. : Controls the amount of harmonics added to the signal
Boosting 50 Hz by +6dB increases the actual amplitude of that frequency. This eats headroom, can cause clipping, and often sounds muddy on systems that can't reproduce that frequency. RBass avoids this.
In the crowded marketplace of bass enhancement plugins—from Brainworx’s Subsynth to Universal Audio’s Polymax —Waves’ remains a stubbornly relevant classic. Released over two decades ago, it eschews modern spectral analysis and dynamic EQ for a single, psychoacoustic trick. Yet, for electronic producers, hip-hop engineers, and live sound mixers, RBass is often the first and last stop for fixing an anemic low end.
The beauty of RBass lies in its simplicity. It only has three main parameters to master: : A high-end, multi-band sub-harmonic generator designed for
The physical speakers cannot reproduce sub-bass frequencies. However, they can reproduce the upper harmonics generated by RBass, allowing the listener to still "hear" the bassline.
The original fundamental low frequencies are filtered out, leaving only the generated harmonics. This is an incredible trick for cleaning up muddy sub-bass while retaining the pitch of the note. 4. Output Meter & Gain
It is common to confuse RBass with other low-end tools. Here is how it compares to standard equalization and sub-harmonic plugins: Feature / Tool Standard EQ (e.g., FabFilter Pro-Q) Sub-Harmonic Synthesizers (e.g., LoAir) Waves RBass VST Boosts or cuts frequencies that already exist in the audio. Generates new frequencies an octave below the fundamental. Generates new harmonic overtones above the fundamental. Best Used For
This is where RBass shines. There are two main ways to use it, and it excels at both:
